Werribee Liberator

If you head down the Geelong Road a short distance out of Werribee in Melbourne’s south west, you soon come to two almost identical big old buildings sitting beside the road. They are a little incongruous, until you realise that they sit next to a great big paddock which looks like it could once have been an aerodrome.

Indeed it was, in fact, once an aerodrome – leased by the Royal Australian Air Force from the Melbourne and Metropolitan Board of Works in 1940 for a satellite relief landing ground for the nearby stations at Laverton and Point Cook. And the two big hangars are the last survivors of five, of American design, that were built there between 1942 and 1943. The original design called for steel to be used in the construction of the frame and roof trusses, but a shortage of that material meant that instead they were built using wood from the Otway Ranges.

Aeroplanes have not flown from Werribee for many years, the field reverting to MMBW use in the early 1952s. But there’s still at least one aeroplane in one of the hangars. It’s a Consolidated B-24 Liberator, one of only eight in the world and the only one in the Southern Hemisphere. The actual aircraft is 44-41956, a B-24M, and while it never saw active service it did serve with the RAAF as A72-176 at 7 Operational Training Unit at Tocumwal. After five decades being used as temporary accommodation and as a wool shed on a farm at Moe in Victoria’s south east, the aircraft was acquired by the B-24 Liberator Memorial Restoration Fund and moved to Werribee in 1995, where it has been the subject of a slow, heroic and extraordinarily high-quality restoration ever since.

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The hangar is open for visits three days a week and this afternoon I finally managed to go and have a look. It’s an impressive operation. The old hangar is full of aeroplane – I have no idea how they’ll get it out of the building once they’re done. It’s a tight fit, and the tailplane isn’t even attached yet. There are aeroplane parts everywhere, workshop areas that were in use while I was there and displays related to Liberators in general and this one in particular. They have four operational engines (none yet fitted to the aircraft) and they conduct public runs on a specially-constructed test rig once a month or so.

You can even duck under those amazing sliding bomb bay doors (apparently this was the favoured way for Liberator aircrew to access their machines) and stand up inside the aeroplane’s fuselage to have a look at the interior of the beast. There was a refreshing lack of safety barriers or fun police present – evidently the Fund has gone down the very practical “common sense” path. Standing here, looking up past the wireless operator and flight engineer’s positions to the cockpit, I thought of men like John McCredie who once flew – and indeed was compelled on one occasion to bale out from – these big silver birds.

Inside the Werribee Liberator, looking forward from the bomb bay
Inside the Werribee Liberator, looking forward from the bomb bay

There are those who have publicly lamented the lack of a WWII-vintage bomber in Victoria. Those people, I think, are doing this group a disservice. Here is a genuine WWII bomber, and indeed a genuine Australian bomber, and it’s right on Melbourne’s doorstep. I’m told the organisation holds about 97% of the parts required to make a complete Liberator, and what they are missing is non-essential ‘aesthetical’ pieces. So they certainly will eventually reach their goal of a fully-operational Liberator (albeit restored to taxying status only, much like Just Jane was when I visited it in 2009). The intent is to reach “museum piece” status, which apparently requires at least 51% of the aircraft to be verifiably original.

All they need is money. It costs a very reasonable $5 to go and have a stickybeak around ($5 more on engine run days), and further donations are much appreciated. They’re a very welcoming lot, I thought – so if you’re in the area, make the effort to go and have a look. You won’t be disappointed.

More details, including opening times, on the Fund’s website.

I’m not in any way affiliated with the B-24 Liberator Memorial Restoration Fund, and visited as a paying member of the public.

© 2017 Adam Purcell

Book Review: From the Top of the Hill, by Kevin Peoples

Jack Peoples was nobody particularly unusual. One day in August 1915 the 18-year-old farmhand from country Victoria walked with his younger brother up a small rise near the family property. Leaving the younger boy at the top of the hill, he walked down the other side and into the nearby town of Mortlake to enlist in the Australian Imperial Force. He never came back, killed in action in France with no known grave.

The story was a familiar backdrop when a man named Kevin Peoples grew up. Sitting by the fire with his brother and sister, he would ask his father – who had been the boy who watched from the top of that hill as his brother Jack walked away – to “tell us about the day Uncle Jack went to war, Dad”. Aware of the shadow that the memory had cast on his father’s life, and aware of how little he knew beyond that oft-related vignette, Kevin would, after his father’s death, embark on a life-long journey to find the story of his lost uncle.

The result is a little blue self-published book named, appropriately, From the Top of the Hill, which I discovered after Tony Wright wrote about it in the Saturday paper a few months ago. It’s not a long book (I read it in a single afternoon), but it is a deeply heartfelt and honest account.

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Peoples breaks the book into three sections. The first is the shortest at just four pages and tells his father’s story, writing about how the “dark, solemn presence of Jack lived on the wall in the corner, directly above my father’s chair.” Oh how I can relate to that concept. The second bit (twelve pages) is what perhaps you’d expect from a self-published book like this: a reasonably straight account of what Peoples knows of Jack’s life. But it’s what comes next, and what makes up the remaining 45-odd pages of the book, that is what sets this little story apart.

Starting with watching his university history lecturer breaking down in tears when trying to describe the horror of what happened at Pozieres, Peoples explains how he came to understand something of what his father felt when thinking of Jack. He visits what’s left of the old homestead to which Jack never returned, describing how “the sad old ghosts of my people have come out to welcome us”. He searches in dusty files at the Central Army Records Office (this was in 1977, pre-National Archives of Australia online catalogues) for something tangible of his uncle’s life. He visits France, twice, and he watches as the Unknown Australian Soldier is entombed at the Australian War Memorial in 1993, feeling somehow that the man in the coffin is Jack even while knowing it’s pretty well impossible. “That’s the wonderful thing about being unknown”, he writes. “…we can all name him and claim him as our own.”

There are occasional little things that betray the book’s self-published origins: one or two typesetting errors, one photograph that’s been printed upside down, and some inconsistent editing: I’m not a fan of the way Peoples mixes the present tense with the past tense. But From the Top of the Hill is for the most part beautifully written, and occasionally reaches the eloquence of poetry. “I see a letter signed by my grandfather, which I push to one side and instead start writing down all the dates and statistics,” Peoples writes of viewing Jack’s files at the Central Army Records Office. “As I write I become conscious of an old brown couch, an open fire, long legs resting on the sides of the fireplace and a hill with a young boy sitting and watching his brother walk away.”

What’s clear is that Peoples realises the importance of place when trying to understand history. The description of his first return to the ruins of the family homestead hints of an even darker history to that place, nearby which 35 or more Aboriginals had been massacred in 1839. His first visit to France, in 1998, left him feeling like there was an “unease insisting this matter of Jack and me was not yet finished.” (Funnily enough, I can relate to that feeling too.) So he returned to France a decade later – and you’re going to have to read the book to find out what happens there.

I found From the Top of the Hill a sad but lovely tale, well-told. I can very much relate to several aspects of Kevin Peoples’ search for ‘Uncle Jack’, to his sense of story and place and to the way an old family story like this one can embed itself in your bones and not let go. Well worth a read.

 

From the Top of the Hill (ISBN 9780994570307) is available as a print-on-demand title from BookPOD Australia, $19.95

 

(c) 2017 Adam Purcell