If you head down the Geelong Road a short distance out of Werribee in Melbourne’s south west, you soon come to two almost identical big old buildings sitting beside the road. They are a little incongruous, until you realise that they sit next to a great big paddock which looks like it could once have been an aerodrome.
Indeed it was, in fact, once an aerodrome – leased by the Royal Australian Air Force from the Melbourne and Metropolitan Board of Works in 1940 for a satellite relief landing ground for the nearby stations at Laverton and Point Cook. And the two big hangars are the last survivors of five, of American design, that were built there between 1942 and 1943. The original design called for steel to be used in the construction of the frame and roof trusses, but a shortage of that material meant that instead they were built using wood from the Otway Ranges.
Aeroplanes have not flown from Werribee for many years, the field reverting to MMBW use in the early 1952s. But there’s still at least one aeroplane in one of the hangars. It’s a Consolidated B-24 Liberator, one of only eight in the world and the only one in the Southern Hemisphere. The actual aircraft is 44-41956, a B-24M, and while it never saw active service it did serve with the RAAF as A72-176 at 7 Operational Training Unit at Tocumwal. After five decades being used as temporary accommodation and as a wool shed on a farm at Moe in Victoria’s south east, the aircraft was acquired by the B-24 Liberator Memorial Restoration Fund and moved to Werribee in 1995, where it has been the subject of a slow, heroic and extraordinarily high-quality restoration ever since.
The hangar is open for visits three days a week and this afternoon I finally managed to go and have a look. It’s an impressive operation. The old hangar is full of aeroplane – I have no idea how they’ll get it out of the building once they’re done. It’s a tight fit, and the tailplane isn’t even attached yet. There are aeroplane parts everywhere, workshop areas that were in use while I was there and displays related to Liberators in general and this one in particular. They have four operational engines (none yet fitted to the aircraft) and they conduct public runs on a specially-constructed test rig once a month or so.
You can even duck under those amazing sliding bomb bay doors (apparently this was the favoured way for Liberator aircrew to access their machines) and stand up inside the aeroplane’s fuselage to have a look at the interior of the beast. There was a refreshing lack of safety barriers or fun police present – evidently the Fund has gone down the very practical “common sense” path. Standing here, looking up past the wireless operator and flight engineer’s positions to the cockpit, I thought of men like John McCredie who once flew – and indeed was compelled on one occasion to bale out from – these big silver birds.
There are those who have publicly lamented the lack of a WWII-vintage bomber in Victoria. Those people, I think, are doing this group a disservice. Here is a genuine WWII bomber, and indeed a genuine Australian bomber, and it’s right on Melbourne’s doorstep. I’m told the organisation holds about 97% of the parts required to make a complete Liberator, and what they are missing is non-essential ‘aesthetical’ pieces. So they certainly will eventually reach their goal of a fully-operational Liberator (albeit restored to taxying status only, much like Just Jane was when I visited it in 2009). The intent is to reach “museum piece” status, which apparently requires at least 51% of the aircraft to be verifiably original.
All they need is money. It costs a very reasonable $5 to go and have a stickybeak around ($5 more on engine run days), and further donations are much appreciated. They’re a very welcoming lot, I thought – so if you’re in the area, make the effort to go and have a look. You won’t be disappointed.
More details, including opening times, on the Fund’s website.
I’m not in any way affiliated with the B-24 Liberator Memorial Restoration Fund, and visited as a paying member of the public.
© 2017 Adam Purcell